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The Elite Africa Database is a curated collection of resources for researchers interested in African elites. Search by keyword and filter your results by power domain, entry format, date, and other parameters.

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Kwabena Asamoah-Gyadu

 Professor of Contemporary African Christianity and Pentecostal-Charismatic Studies/Dean of Graduate Studies, Trinity Theological Seminary,  Accra, Ghana

Asamoah-Gyadu Kwabena

Asamoah-Gyadu, Kwabena

 Professor of Contemporary African Christianity and Pentecostal-Charismatic Studies/Dean of Graduate Studies, Trinity Theological Seminary, Accra, Ghana‍

Religious/Spritual

Association for the Study of Religion in Southern Africa (ASRSA)

Academic association

Location: University of South Africa, South Africa
Contact: Email: asrsagroup@gmail.com
asrsa.org
Description:

ASRSA is a not-for-profit academic association which is independent of the religions it and its members study. Among others, the association aims to promote the scholarly study of the religions of Southern Africa and the wider world.

Association for the Study of Religion in Southern Africa (ASRSA)

Association for the Study of Religion in Southern Africa

Association for the Study of Religion in Southern Africa (ASRSA), South Africa

Religious/Spritual
Organization

Association of Nigerian Authors

Professional Association

Abuja, Nigeria
Contact:+234 803 341 5438
info.ananigeria@yahoo.com
ananigeria.org
Description:

The Association of Nigerian Authors was founded on the 27th June, 1981, during a conference convened by the late Professor Chinua Achebe. Its aims and objectives include encouraging and promoting Nigerian literature.

Association of Nigerian Authors

Association of Nigerian Authors, Abuja, Nigeria

Aesthetic
Organization

Asuming, Patrick Opoku, Lotus Gyamfuah Osei-Agyei, and Jabir Ibrahim Mohammed. "Financial inclusion in sub-Saharan Africa: Recent trends and determinants." Journal of African Business 20, no. 1 (2019): 112-134.

The paper conducts a comparative analysis of financial inclusion in 31 Sub-Saharan African countries using data from the global Findex database. The authors find that while the aggregate level of financial inclusion has increased significantly between 2011 and 2014, there are variations in both the level and rates of improvement among the countries. They also find that individual-level covariates (age, education, gender and wealth), macroeconomic variables (growth rate of GDP and presence of financial institutions) and Business Freedom are significant predictors of financial inclusion. Their findings, according to them suggest that financial inclusion policies should target key populations like women and young people.

Source: Adapted from article's abstract

Asuming, Patrick Opoku, Lotus Gyamfuah Osei-Agyei, and Jabir Ibrahim Mohammed. Financial inclusion in sub-Saharan Africa

The paper conducts a comparative analysis of financial inclusion in 31 Sub-Saharan African countries using data from the global Findex database. The authors find that while the aggregate level of financial inclusion has increased significantly between 2011 and 2014, there are variations in both the level and rates of improvement among the countries.

Economic
Bibliographic

Andrews Atta-Asamoah

Program Head, Institute for Security Studies

Sector:

NGO

Atta-Asamoah, Andrews

Atta-Asamoah, Andrews

Program Head, Institute for Security Studies

Coercive
Profile

Audius Mutawarira

Singer-songwriter/Record producer

Perth, Australia
audiusonline.com

Audius Mutawarira

Singer-songwriter/Record producer

Aesthetic
Professional Contact

Austen, Ralph A., and Mahir Saul, eds. Viewing African Cinema in the Twenty-First Century: Art Films and the Nollywood Video Revolution. Athens, OH: Ohio University Press, 2010.

African cinema in the 1960s originated mainly from Francophone countries. It resembled the art cinema of contemporary Europe and relied on support from the French film industry and the French state. Beginning in 1969the biennial Festival panAfricain du cinéma et de la télévision de Ouagadougou(FESPACO), held in Burkina Faso, became the major showcase for these films. But since the early 1990s, a new phenomenon has come to dominate the African cinema world: mass-marketed films shot on less expensive video cameras. These “Nollywood” films, so named because many originate in southern Nigeria, are a thriving industry dominating the world of African cinema. Viewing African Cinema in the Twenty-first Century is the first book to bring together a set of essays offering a comparison of these two main African cinema modes.

[Source: Ohio University Press].

Austen, Ralph A., and Mahir Saul, eds. Viewing African Cinema in the Twenty-First Century

Austen, Ralph A., and Mahir Saul
2010

Viewing African Cinema in the Twenty-first Century is the first book to bring together a set of essays offering a comparison of these two main African cinema modes.

Aesthetic
Bibliographic

Awilo Longomba

Musician

Democratic Republic of the Congo
afrodicia.com/artist/awilo/index.html

Awilo Longomba

Musician

Aesthetic
Professional Contact
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