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Garritano, Carmela, and Kenneth W. Harrow, eds. A Companion to African Cinema. Wiley Blackwell Companions to National Cinemas. Hoboken, N.J: Wiley-Blackwell, 2019.

A Companion to African Cinema offers an overview of critical approaches to African cinema. With contributions from an international panel of experts, the Companion approaches the topic through the lens of cultural studies, contemporary transformations in the world order, the rise of globalization, film production, distribution, and exhibition. This volume represents a new approach to African cinema criticism that once stressed the sociological and sociopolitical aspects of a film. The text explores a wide range of broad topics including: cinematic economics, video movies, life in cinematic urban Africa, reframing human rights, as well as more targeted topics such as the linguistic domestication of Indian films in the Hausa language and the importance of female African filmmakers and their successes in overcoming limitations caused by gender inequality. The book also highlights a comparative perspective of African videos capes of Southern Nigeria, Ethiopia, and Côte d’Ivoire and explores the rise of Nairobi-based Female Filmmakers.

[Source: Wiley].

Garritano, Carmela, and Kenneth W. Harrow, eds. A Companion to African Cinema

Garritano, Carmela, and Kenneth W. Harrow

A Companion to African Cinema offers an overview of critical approaches to African cinema. With contributions from an international panel of experts, the Companion approaches the topic through the lens of cultural studies, contemporary transformations in the world order, the rise of globalization, film production, distribution, and exhibition

Aesthetic
Bibliographic

Garritano, Carmela. African Video Movies and Global Desires: A Ghanaian History. Athens, OH: Center for International Studies Ohio University, 2013.

African Video Movies and Global Desires is the first full-length scholarly study of Ghana’s commercial video industry, an industry that has produced thousands of movies over the last twenty years and has grown into an influential source of cultural production. Produced and consumed under circumstances of dire shortage and scarcity, African video movies narrate the desires and anxieties created by Africa’s incorporation into the global cultural economy. Drawing on archival and ethnographic research conducted in Ghana over a ten-year period, as well as close readings of a number of individual movies, this book brings the insights of historical context as well as literary and film analysis to bear on a range of movies and the industry as a whole. Garritano makes a significant contribution to the examination of gender norms and the ideologies these movies produce. African Video Movies and Global Desires is a historically and theoretically informed cultural history of an African visual genre that will only continue to grow in size and influence.

Source: Book Description

Garritano, Carmela. African Video Movies and Global Desires

Garritano, Carmela
2013

African Video Movies and Global Desires is the first full-length scholarly study of Ghana’s commercial video industry, an industry that has produced thousands of movies over the last twenty years and has grown into an influential source of cultural production.

Aesthetic
Bibliographic

Edi Gathegi

Actor (Cinema)

Location: USA
instagram.com/iamedigathegi/?hl=en

Gathegi Edi

Actor

Aesthetic
Professional Contact

Gauch, Suzanne. Maghrebs in Motion: North African Cinema in Nine Movements. New York, N.Y: Oxford University Press, 2016.

This book analyzes nine key films and film cycles from Algeria, Morocco, and Tunisia made in the twenty-five years leading up to the Arab Spring. This study shows how each film draws on diverse cinematic and socio political legacies to prefigure and capture the shifts of perception and relation that so stunned onlookers worldwide when nonideological protests in Tunisia overthrewthe long-standing autocratic government. These films, directed by Farida Benlyazid, Mohamed Chouikh, Nacer Khemir, Nabil Ayouch, Lyès Salem, Nadia ElFani, Tariq Teguia, Faouzi Bensaidi, and Nejib Belkadhi, reimagine the politics of film as well as political cinema as they move away from the social realism characteristic of early post independence cinema. Examining how they translate precinematic cultures into new kinds of popular film that unsettle hierarchies of modernity and tradition, reimagine global generic forms as embedded in the local, and position the Maghreb at the center of cinematic history and innovation, this book argues that all challenge the expectations attached to national and global cinemas. At the same time, the book demonstrates how, in their thematic and stylistic choices, all reflect a commitment to mobility that exacts equally mobile perspectives of their audiences.

[Source: Oxford University Press].

Gauch, Suzanne. Maghrebs in Motion

Gauch, Suzanne
2016

This book analyzes nine key films and film cycles from Algeria, Morocco, and Tunisia made in the twenty-five years leading up to the Arab Spring.

Aesthetic
Political
Bibliographic

Mesfin Gebremichael

Program Director, Peace and Security Studies, Addis Ababa University

Contact: mesfin.g@ipss-addis.org

Gebremichael, Mesfin

Program Director, Peace and Security Studies, Addis Ababa University

Coercive
Professional Contact

Fana Gebresenbet

Associate Professor, Peace and Security Studies, Addis Ababa University

Contact: fana.g@ipss-addis.org

Gebresenbet, Fana

Associate Professor, Peace and Security Studies, Addis Ababa University

Coercive
Professional Contact

Mesay Melese Gebresilasse

Assistant Professor of Economics, Amherst College

Contact: 413-542-5517/mgebresilasse@amherst.edu

Gebresilasse Mesay Melese

Assistant Professor of Economics, Amherst College

Economic
Professional Contact

Gerdes, Felix: Liberia's Post-War Elite. A New Era of Inclusive Ownership or Old Wine in New Bottles? Arbeitspapier Nr. 1/2011 der Forschungsstelle Kriege, Rüstung und Entwicklung, Universität Hamburg 2011.

This working paper investigates to what extent Liberia’s post-war elite system is inclusive. In order to allow taking a comparative perspective, it firstly describes historic processes of elite formation and elite change, describing patterns of oligarchic elite reproduction as well as opportunities for political success of lower strata individuals. Its core piece is an overview on career paths and social and professional background of elites of Liberia’s first regular postwar government. It argues that Liberia’s new elite system is significantly more inclusive than previous ones, despite discernible continuities. This, however, does not necessarily translate into accountability of government.

Source: Article's abstract

Gerdes, Felix. Liberia's Post-War Elite

This working paper investigates to what extent Liberia’s post-war elite system is inclusive.

Coercive
Economic
Political
Bibliographic
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