The Elite Africa Project is a global network of scholars working to shift how Africa and its elites are understood.

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The Elite Africa Project

is a Canadian-based global network of scholars working to challenge predominant understandings of Africa and its elites.

Both in academia and in wider public discourse, African elites have either been ignored or depicted as grasping and self-interested. This framing perpetuates negative depictions of the continent and its peoples and draws on a simplistic understanding of what power is and how it is wielded. Our work aims to counter these perceptions by initiating global conversations about “who leads” in Africa and how they do so.

We seek to disrupt and renew both academic and public discussions of African leadership, refocusing attention on a wider, qualitatively different set of elites from those that have predominated in the past (such as the parasitic “Big Men” of neo-patrimonial politics).

Burna Boy, Nigerian musician, rapper and songwriter; in 2021, his album Twice as Tall won the Best World Music Album at the 63rd Annual Grammy Awards, and he enjoyed back to back Grammy award nominations in 2019 and 2020.

Ngozi Okonjo-Iweala, Nigerian economist, fair trade leader, environmental sustainability advocate, human welfare champion, sustainable finance maven and global development expert. Since March 2021, Okonjo-Iweala has been serving as Director-General of the World Trade Organization.

This project focuses on Africa’s elites, defined as those who operate at the highest level across a range of domains, wield significant power, and possess expert knowledge, skills, and personal strengths that are deployed in strategic, creative, and generative ways. While elites are those who possess the most consequential and powerful agenda-setting and decision-making capacity, Africa’s elites have either been sidelined in many of our analyses or rendered monotonal. When we switch frames to consider the continent as embodying and projecting new, generative forms of power, it changes our view of Africa. It may also change how we understand power itself.

We look at six domains of elite power, from the political to the aesthetic, and ask how we might shift how we think about and study Africa, and how this shift would impact our conceptualization of power and its exercise. Our goal is to contribute to popular conversations about Africa and to highlight the achievements of the astonishing new generation of leaders for a broader public audience.

This website will serve as a hub for collaborative activity by scholars, activists, and practitioners working on Elite Africa and house a searchable database of primary and secondary materials on African elites.

Kofi Annan (1938-2018), Ghanaian-born diplomat, trained in economics, international relations and management; was the first UNSG to be elected from within the ranks of the UN staff itself and served in various key roles before becoming Secretary General.

Namwali Serpell, Zambia award-winning novelist and writer; Recognised early on with the Caine prize, her numerous subsequent awards include the Windham–Campbell Literature Prize, one of the world’s richest literary prizes.

Mohammed "Mo" Ibrahim, Sudanese billionaire businessman. He worked for several telecommunications companies, before founding Celtel, which when sold had over 24 million mobile phone subscribers in 14 African countries.

The Elite Africa Project

is a Canadian-based global network of scholars working to challenge predominant understandings of Africa and its elites.

Both in academia and in wider public discourse, African elites have either been ignored or depicted as grasping and self-interested. This framing perpetuates negative depictions of the continent and its peoples and draws on a simplistic understanding of what power is and how it is wielded. Our work aims to counter these perceptions by initiating global conversations about “who leads” in Africa and how they do so.

We seek to disrupt and renew both academic and public discussions of African leadership, refocusing attention on a wider, qualitatively different set of elites from those that have predominated in the past (such as the parasitic “Big Men” of neo-patrimonial politics).

This project focuses on Africa’s elites — those who operate at the highest level across a range of domains, wield significant power, and possess expert knowledge, skills, and personal strengths that are deployed in strategic, creative, and generative ways. When we switch frames to consider the continent as embodying and projecting new, generative forms of power, it changes our view of Africa. It may also change how we understand power itself.

This website is the hub for collaborative activity by scholars, activists, and practitioners working on Elite Africa and will house a searchable database of primary and secondary materials on African elites.

ELITE AFRICA PROJECT DATABASE

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Eyoh, Dickson. “African Perspectives on Democracy and the Dilemmas of Postcolonial Intellectuals.” Africa Today 45, no. 3/4 (1998): 281–306.

This article is a preliminary assessment of the African debate on democracy. A swirl of economic, political, and social difficulties has creates despair, but the difficulties also motivate us to articulate new collective social visions. An insistence on political democratization underpins man) views of a less malign future for African societies. Indeed, the embrace or democracy and debate about its appropriate forms are central to postcolonial African intellectual discourse. A reassessment is needed, however, o0 ideological and analytical approaches to relationships among the organization of state power, nation formation, and economic development. This article explores the premises of the debate in order to determine the extent to which they signal continuities and shifts in key postulates or postcolonial African intellectual thought about the relationship between political organization and development.

Source: Article description (Scholar.google.com)

Eyoh, Dickson. "African Perspectives on Democracy and the Dilemmas of Postcolonial Intellectuals".

This is some text inside of a div block.

This article is a preliminary assessment of the African debate on democracy. A swirl of economic, political, and social difficulties has creates despair, but the difficulties also motivate us to articulate new collective social visions.

Political

Eyoh, D. “Through the Prism of a Local Tragedy : Political Liberalisation, Regionalism and Elite Struggles for Power in Cameroon: The Politics of Primary Patriotism.” Africa (London. 1928) 68, no. 3 (1998): 338–59.

A prominent feature of political liberalisation in Cameroon (as elsewhere in Africa) is the increasing resort by elites to idioms of community (regional, religious and ethnic) and neo-traditional institutions like chieftaincy as a means of mobilising political support and reasserting control of local populations. Focusing on the anglophone part of Cameroon this study examines the historical roots of the salience of these phenomena in current struggles for power. It uses the circumstances surrounding the death of a chief in the South West Province to explain the ways in which elite reliance on these phenomena facilitates the linkage of locally specific, culturally encoded political conflict with competition for power at the national level, and provokes local populations into resisting state power, often through the reinvention of traditions of their own.

Source: Scholar.google.com

Eyoh, Dickson. "Through the prism of a local tragedy".

This is some text inside of a div block.

A prominent feature of political liberalisation in Cameroon (as elsewhere in Africa) is the increasing resort by elites to idioms of community (regional, religious and ethnic) and neo-traditional institutions like chieftaincy as a means of mobilising political support and reasserting control of local populations. Focusing on the anglophone part of Cameroon this study examines the historical roots of the salience of these phenomena in current struggles for power. It uses the circumstances surrounding the death of a chief in the South West Province to explain the ways in which elite reliance on these phenomena facilitates the linkage of locally specific, culturally encoded political conflict with competition for power at the national level, and provokes local populations into resisting state power, often through the reinvention of traditions of their own.‍

Political

Tieku, Thomas Kwasi, and Megan Payler. "From Paternalism to the Chambas Formula for Mediation: Conceptualizing Cooperation between the UN and Regional Organizations in Mediating Conflicts", International Negotiation 27, 3 (2021): 448-474, doi: https://doi.org/10.1163/15718069-bja10040

This article explores the working relationship between the United Nations (UN), African Union (AU), and the Economic Community of West African States (ECOWAS) in mediating conflicts in West Africa and the Sahel regions. We argue that through the United Nations Office for West Africa and the Sahel (UNOWAS), the UN, ECOWAS and the AU are working on mediation efforts to transcend traditional conceptualizations of the relationship between the world body and regional organizations. We show that the partnership is grounded on the logic of subsidiarity, informality, elite networks, technical competence, soft skills, and robust social trust. For heuristic purposes, we call the six principles the Chambas Formula, with reference to the centrality of the Special Representative of the Secretary-General for West Africa and the Sahel, Mohamed Ibn Chambas, and the emergence and consistent application of the principles in the mediation setting in West Africa and the Sahel regions.

Source: Article abstract

Tieku, Thomas Kwasi, and Megan Payler. "From Paternalism to the Chambas Formula for Mediation"

This is some text inside of a div block.

This article explores the working relationship between the United Nations (UN), African Union (AU), and the Economic Community of West African States (ECOWAS) in mediating conflicts in West Africa and the Sahel regions.

Political

Coleman, Katharina P. and Tieku, Thomas K.. African Actors in International Security: Shaping Contemporary Norms. Boulder, USA: Lynne Rienner Publishers, 2018. https://doi.org/10.1515/9781626377295

What impact have African actors had on perceptions of and responses to current international security challenges? Are there international peace and security norms with African roots? How can actors that lack the power and financial resources of Western states help to shape prevailing conceptions of appropriate behavior in international politics? Addressing these questions, the authors of African Actors in International Security identify and explore the diverse pathways by which African governments, IGOs, NGOs, and individuals can and do influence the normative structure of contemporary international relations.


Source: Book description from Rienner.com

Coleman, Katharina P. and Tieku, Thomas K., editors. African Actors in International Security

This is some text inside of a div block.

The authors of African Actors in International Security identify and explore the diverse pathways by which African governments, IGOs, NGOs, and individuals can and do influence the normative structure of contemporary international relations.

Political
Coercive

Morgan, Philip D., and Sean Hawkins (eds), Black Experience and the Empire, Oxford History of the British Empire Companion Series (Oxford, 2006; online edn, Oxford Academic, 3 Oct. 2011), https://doi.org/10.1093/acprof:oso/9780199290673.001.0001

This work explores the lives of people of sub-Saharan Africa and their descendants, how they were shaped by empire, and how they in turn influenced the empire in everything from material goods to cultural style. The black experience varied greatly across space and over time. Accordingly, thirteen substantive essays and a scene-setting introduction range from West Africa in the sixteenth century, through the history of the slave trade and slavery down to the 1830s, to nineteenth- and twentieth-century participation of blacks in the empire as workers, soldiers, members of colonial elites, intellectuals, athletes, and musicians. No people were more uprooted and dislocated; or travelled more within the empire; or created more of a trans-imperial culture. In the crucible of the British empire, blacks invented cultural mixes that were precursors to our modern selves — hybrid, fluid, ambiguous, and constantly in motion.

Source: Book abstract from academic.oup.com

Morgan, Philip D., Hawkins, Sean (eds.). Black Experience and the Empire

This is some text inside of a div block.

This work explores the lives of people of sub-Saharan Africa and their descendants, how they were shaped by empire, and how they in turn influenced the empire in everything from material goods to cultural style.

Political
Economic

Musisi, Nakanyike B. “A Personal Journey into Custom, Identity, Power, and Politics: Researching and Writing the Life and Times of Buganda's Queen Mother Irene Drusilla Namaganda (1896–1957).” History in Africa 23 (1996): 369–85. doi:10.2307/3171949.

The popularity of African novels lies in their ability to convey to the reader how a society might have functioned with or without a state. Since most often a novelist tries to recreate a historical moment, a novel becomes a pedagogical tool of what Klein has called a “reasonable representation of what society may have been like.” In the most popularly utilized novels, an individual is cast at the center of the unfolding story. Most often, the African novel concerns itself with the impact of colonialism and the transition from traditional to contemporary African realities. This is frequently done with the aim of conveying to the reader the processes of adjustment and the pros and cons of this adjustment.

Source: Extract from article.

Musisi, Nakanyike B. A Personal Journey into Custom, Identity, Power, and Politics.

This is some text inside of a div block.

The popularity of African novels lies in their ability to convey to the reader how a society might have functioned with or without a state. Since most often a novelist tries to recreate a historical moment, a novel becomes a pedagogical tool of what Klein has called a “reasonable representation of what society may have been like.” In the most popularly utilized novels, an individual is cast at the center of the unfolding story. Most often, the African novel concerns itself with the impact of colonialism and the transition from traditional to contemporary African realities. This is frequently done with the aim of conveying to the reader the processes of adjustment and the pros and cons of this adjustment.

Political
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